My son’s now settling in at uni. While he gets used to the new area, meets new people and feels the buzz and thrill of his course, I decided to create a little moving in card for him based on a family joke about cutlery (including the renaming of the hard drive in his computer, the documents folders and some other files to cutlery, washing machine and spoons!).
I hope he likes these enough to pin them to his notice board 🙂
This is one of the prints. I’ll share pictures of the others when he receives them, so he gets a surprise!
There are two links to share with you today: one is http://mrjakeparker.com/art-drop-day
I think this is a fabulous idea having taken part in the Be Creative ATC mystery card drop. Although I never knew what happened to my card, some others from the group had their ones found and recorded on Myfanwy’s special page. Some left ATC (artist trading cards) in very public places including inside craft books at a book store. I’d like to take part in the art-drop-day by leaving one of my limited edition prints somewhere to be found. As bloggers who have been reading this new blog know, I am passionate about printing and enjoy working with lino and textures and drawing into the ink on my gelli-plate :-). I hope you’re enjoying what you see so far on this blog; I will be exploring on here the other types of printing plates including woodblock printing, rubber stamping, intaglio, polyprinting and presenting you with some simple stencil outlines so you can have a go yourself! 🙂
This brings me on to the Daily Post prompt for this week, Textures:
My OH has promised he will make me an A3 screen printing frame for my workshop. In the meantime, here is my contribution for this prompt illustrated in a series of photographs of preliminary works of pencil sharpening, a litho print I did a while ago of an apple and the layering involved on my A2 screen print to illustrate decomposition:
I then did a study of the process of peeling an apple and produced a litho print from it in preparation for a final screen print using colours. Obviously the more colours and layers of ink you put on, the textures increase as you can feel the overlaps of ink 🙂
At college we were provided with sheets of glass, black ink and a roller to create mono prints. The theme, Creation, was the brief and we explored these by drawing directly into the ink with ends of paintbrushes or our fingers. It was messy work, but fun.
Today, a Gelli plate arrived in the post. It’s thicker than I thought it would be and more versatile with acrylic paints. I found that the acrylic dried too rapidly on lino printing and sometimes the paper would stick where I didn’t want it to! I’ve invested in some block printing ink to continue with the lino when I’ve done some more cutting now that I have some more lino :-). In the meantime, I thought I’d share with you the cover I’ve created using the Gelli plate for my sketchbook and some postcards using leaves and grasses. What’s great about the plate is that there is no need to clean it each time and you can lay the card repeatedly onto the ink and gradually it becomes clean.
Also, in these photographs, you can see the result of my lino print for the ‘Wanderer in the Mists’ impression. I’m going to add another layer to this to present different distances on the top part of the picture where the man is standing.
So where did all this printing knowledge and experience come from? How did I know what I was looking for at the auction when sourcing a printing press?
I studied extended printing for A level. I had to submit a portfolio of different printing techniques using various printing equipment and inks or paints while at college. This included intaglio, mono printing, lino cutting, card prints, etching in copper and prints taken from scratching into plastic. We made rubber stamps and wood blocks. The smell of the oil paints and getting my hands dirty with black ink didn’t bother me.
After college, I was accepted onto a course to study art further. I had to submit some pre-course materials set to a brief in order to demonstrate my drawing skills. One of these tasks was an abstract self-portrait.
I moved on from this to work for a company, which involved a bus ride to work or my dad dropping me off on route to his firm. Occasionally, he would forget to pick me up on the way home and I would be frantically waving at him as he drove past!
The company sent me on a course in London and I studied printing science and made electrostatic plates for the lithographic printing presses. I was only 18 and going to London back then was one big adventure.
On return from London, I was promoted to work on a Rotaprint machine which prints up to A3. This was in contrast to the first press I was trained on: a. 1250 multilithographic press which could manage A4 or smaller. I was glad of the change, despite earning the nickname Queen of the Tyvek. For those who aren’t familiar with Tyvek – it is a waterproof paper which is notoriously difficult to print on because it slides. The paper is made up of cotton woven into it so it doesn’t tear. I mastered this quite successfully, hence the nickname. However, while I was learning this my boss draw a cartoon of me (I also liked wearing baggy trousers back then and desert boots). It was great having an artistic boss, but at 18 I wasn’t quite sure how to take the cartoon. I’m glad I kept it because it still makes me laugh now.