Hopefully you will see this post Jane. You may have missed the announcement that your name was selected (I decided to choose two lucky winners as I had entries both on this blog and through Facebook). I’d love to hear from you – or of any bloggers know Jane and could get the message out to her, I’d be really grateful. Thank you 🙂
Hi everyone! For those of you who are new to Gelli printing, I thought I’d share with you a technique that enables you to create textured prints with minimal effort and using basic equipment. Most Gelliprinters talk about printing with acrylics, but I actually love printing with watercolour and I’m going to tell you why in this blog as part of the October Gelli blog Hop, which kicked off by organiser and Gelli enthusiast, Michelle Reynolds.
Wednesday 15th Oct Michelle Reynolds http://shellsinthebush.blogspot.com.au/
Thursday 16th Oct Joanna Grant http://joannabananadesignoriginals.blogspot.com
Friday 17th Oct Jacques Williamos https://theelevatorpress.wordpress.com/
Saturday 18th Oct Linda Stokes http://www.lindastokes-textileartist.com/
Sunday 19th Oct Phillippa Montier http://pipart71.weebly.com
Monday 20th Oct Lauri Crowe http://www.laurijeancrowe.com
Tuesday 21st Oct Gail Schmidt http://www.shabbycottagestudio.net
Wednesday 22nd Oct Tami Sturm Howes http://www.thisandthatfromtami.blogspot.com
I belong to a Facebook group called Gelatin Printing Enthusiasts – a growing community of fantastic, creative people who just love printing with the Gelli.
So, why do I like using watercolours? The tubed variety obviously comes in gorgeous colours, but they blend easily and react differently on the plate. I have deliberately incorporated the speckled effect of watercolour by applying water to the plate to dilute the paint and then using the brayer to distribute it. I then allow the paint to settle and separate into areas of dots.
I started on the lion picture by applying the lighter colours first and building it up layer by layer.
A mask was cut out in the rough shape of a lion’s face. I’ve used this technique with the birds I’ve shown on this blog and most recently with the turtle. The mask blogs out any areas I don’t want that colour to appear on.
Gradually the layers were built up enough to show an outline from the mask so that I could apply inks, coffee syrup and watercolour paint using an aqua brush pen (these are amazing as you can add water or paint, coffee syrup, ink to the reservoir of the pen handle). I love them!
The fact that some of my drawing was covered by the reapplied paint from the Gelli adds to the effect (a bit like when using a screen print). So this picture has five layers on it and if you run your finger over the finished print, there are raised areas.
Now to my free giveaway:
I am offering one lucky person the chance to win a turtle Gelliprint OR the lion I’ve show today. To enter, please comment below either ‘Lion’ or ‘Turtle’. I will select the winner next Friday. Good luck 🙂
Ok, when I learned all about the printing trade in my early teens, a gelliplate didn’t exist. We used glass panes, perspex, polystyrene, wood and metal, foam and cardboard plus the traditional carved up potato! So, I’m delighted to share this experience with you of my first ever gelliprint portrait 🙂
I prepared the gelliplate with a brayer and watercolours. Can anyone guess what object I used to provide a textured feature of the face?
Another bit of creativity today was making up a flat-pack paper storage unit for my print studio. The room isn’t large enough for a plan chest, but I do need somewhere to store my prints and paper or card flat. This was perfect
I cut a template printing plate using picture mounting board, gradually peeling off the top coloured layer to reveal the white beneath.
Then I used a roller and watercolour as a printing medium, applied a thin layer and allowed some of the paint to catch the white (can produce a textured effect).
A note to newcomers to printing … Remember that whatever picture you want to end up with will be the mirror image of the printing plate. Have fun 🙂